Doors @ 7pm
Show @ 8pm
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All Ages
Willy Porter continues on a musical and personal odyssey spanning over two decades, 13 albums, and multiple continents. His journey has been defined by an inquisitive love for humanity and the language that describes what we all hold to be true. Porter’s songs weave a universal perspective about the questions, struggles, and triumphs of human existence. His live shows are guitar-driven grit, soul, silence and muscle– at times electrifying, dynamic, and unique in the way that Porter’s voice blends and fuses with his fret work.
A largely self-taught musician, Porter began treating audiences to his brand of guitar playing and wry storytelling in the late ‘80’s while living in Madison, Wisconsin. In 1990, he released his first full-length independent album, The Trees Have Soul, and the touring life has flowed steadily ever since. Porter has literally logged millions of miles across America, Canada, the UK, and Europe, touring solo, as well as with various incarnations of the Willy Porter Band and in support of artists like Tori Amos, Paul Simon, Jethro Tull, Sting, and Jeff Beck.
Porter’s breakthrough album, Dog Eared Dream, was released in 1994, and the song “Angry Words” quickly became a staple at the burgeoning AAA radio format. This led to a major label deal with BMG/Private Music in 1995. Unfortunately, Private was dismantled by BMG just as Porter was preparing to release his follow-up. With contractual freedom in 1998, Porter quickly signed with the San Francisco-based label Six Degrees. There he released three albums beginning with the studio gem, Falling Forward (1999), produced by multiple Grammy-winner Neil Dorfsman (Dire Straits, Sting). The eponymous Willy Porter (2001) followed featuring great guest performances by Ian Anderson from Jethro Tull and Tony Levin. His fan-favorite solo disc, High Wire Live (2003) was co-produced with Grammy-winner Ben Wisch (Marc Cohn, Shawn Colvin).
In 2005 Porter left Six Degrees and launched his own imprint, Weasel Records. Together with longtime keyboardist/ collaborator Dave Adler, Porter produced the atmospheric album Available Light in 2006. His work with Guild & Fender guitars over the next several years would result in the manufacture of the “Willy Porter Signature” acoustic guitar. Porter then took time to record and produce singer/songwriter Natalia Zukerman, on her whip-smart Weasel debut, Brand New Frame (2008). Porter released his next disc, How to Rob a Bank in 2009, the heavily Americana-flavored record featuring the contributions of the LA-based quartet, Raining Jane. Bank was followed with a live disc recorded with the Carpe Diem String Quartet in (2010). This collaboration produced a gorgeous EP featuring several of Porter’s most enduring tunes (“Breathe,” “Paper Airplane,” “Watercolor”), elevated and reinterpreted against a backdrop of lush string arrangements.
In 2011, Porter produced the second Weasel release for Natalia Zukerman, the driving Gas Station Roses. A partnership with Milwaukee-based singer/ songwriter Carmen Nickerson resulted in the album, Cheeseburgers and Gasoline (2013). This spartan production illuminates themes of life-longing and relationship repair, all while balancing the dream of self-actualization on the axle of a carnival’s Tilt-a-Whirl. The record also includes Porter’s brilliant cover arrangement of Peter Gabriel’s “Digging in the Dirt.” Porter’s follow-up release, Human Kindness (2015) incorporated all of his acoustic, electric, and multi-string chops to bear in service of a great selection of songs bearing the influence of soul, rock, blues/Americana, showcasing Porter’s growth as a writer, musician, and producer.
After touring extensively together for more than two years, Porter and Nickerson released a full-length disc of original co-writes: Bonfire to Ash (2016). Produced by Grammy winning producer Ben Wisch (Marc Cohn, Jonatha Brooke) and featuring Bassist Zev Katz and Drummer/Producer Ben Wittman, Bonfire to Ash is a record that charts the experiences bridging the intimate with the universal. Porter and Nickerson borrow from their strong stage chemistry to render the same kind of musical conversation that unfolds in performance within a studio setting. This dialogic style broadens to consider the connections and values forged in the communities we call home (“Living Proof”) and in the responsibility we have to the planet that gives itself to house us (“Plant A Garden”). Bonfire to Ash compiles candid snapshots of the human journey, exposing ideas such as hope, regret, love, loss, and connection that remain immutable against time, history, or place.
In addition to making a life in music, Porter finds ways to make an impact on local and international levels. He is an active supporter of Advocates of Ozaukee, a shelter and treatment facility for victims of domestic violence and abuse in Mequon, Wisconsin. His annual benefit concerts have raised more than $100,000 for this organization to date. He is also an Ambassador for Guitars for Vets, a Milwaukee-based International organization that works to improve the lives of veterans by providing them with guitars and music lessons.
Willy Porter lives in Milwaukee, Wisconsin with his wife and two children.
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Rachael Sage is a New York City singer/songwriter whose music playfully avoids simple categorization. Weaving together bits of folk, pop, rock, blues, jazz, and cabaret while stirring in Celtic and Middle Eastern accents, Sage has created an eclectic body of work that's witty, graceful, and powerfully intimate. A prolific songwriter and recording artist, she introduced herself with Morbid Romantic in 1996, and played with her eclectic orchestrated piano-pop sound across albums like 2004's Ballads & Burlesque, 2010's Delancey Street, and 2020's illness-informed Character. Her pandemic-influenced 15th studio album, The Other Side, arrived in 2023.
Born in Port Chester, New York, Sage developed a taste for music at an early age, listening to her parents spinning , , , and on the family stereo, and by the age of four she was learning to play piano. It wasn't long before Sage discovered she had a gift for learning songs by ear, picking out tunes she'd heard on the radio. By the time she was in second grade, she was honing her talent for writing and performing songs, finding it was a good way to distract the bullies at school, and in time she would formally study voice, drama, and dance (she was admitted to the prestigious School of American Ballet, and attended the MFA program at the Actors Studio).
When Rachael received a four-track recorder as a bat mitzvah present, she began learning the nuts and bolts of audio recording and production, and after enrolling at Stanford University, Sage was soon regularly performing at local coffeehouses. In 1996, Sage recorded her first album, Morbid Romantic, and released it on her own label. (In time, would grow into a successful independent label, releasing albums by , , and as well as Sage's body of work.) By 1999, Sage had released a second album, Smashing the Serene, and performed on the Village Stage on the 1999 Lilith Fair tour, as well as being chosen to open for on a tour of Europe. Sage released no less than a half-dozen albums during the next decade, beginning with 2001's Painting of a Painting and the next year's Illusion's Carnival, both of which found her working with a handful different producers. Issued in 2003, Public Record's collaborators included co-producer Andy Zulla, the Fab Faux's Jack Petruzzelli, and string and brass players. Featuring a similar crew, the following year's Ballads & Burlesque favored her tenderer side, and 2006's more assertive The Blistering Sun, while still collaborative, was self-produced, as was 2008's Chandelier.
Arriving in 2010, her ninth LP, the city-life-themed Delancey Street, included covers of 's "Rich Girl" and the movie theme "Fame." The more intimate Haunted by You appeared in 2012, and by the time Sage delivered Blue Roses in 2014 (which included Sage performing a duet of 's "Helpless" with her close friend and mentor ), she'd released 11 full-length albums and two EPs, brought home four Independent Music Awards, and won the grand prize in the Songwriting Contest. Sage is also a published author and an accomplished visual artist who has displayed her work in New York galleries and provided illustrations for her album packaging. Blue Roses found her working with an outside producer again for the first time in over a decade, namely John Shyloski. In 2016, she released the Zulla co-produced Choreographic, which contained material she'd composed for dancer Maddie Ziegler. Two years later, Sage returned with Myopia, which explored themes of vision and visualization. It won her an Independent Music Award for pop production (with Shyloski).
Produced with Zulla and released in March of 2020, Sage's next album, Character, was inspired by her recovery from endometrial cancer. The EP Character (Acoustic) followed three months later. Produced by Sage, Zulla, and Mikhail Pivovarov, her 15th studio LP, 2023's The Other Side, was informed by cancer treatments and the upheaval caused by the arrival of the COVID-19 pandemic. Another Side (Reimagined/Acoustic) saw release in 2024.